Topic 7190723

 

DH//723 Re://T7190 [ YveSp- Confrérie] post. 21-04-04 17:28:40

 

Danger called Ken - Episode 13 - CONFRÉRIE

 

Yves Pronovost

 

The man is alone in his brotherhood. Arrived at the registration, he is eager to go to his room (a luxurious suite and all facing long) to change, he arrives in a shirt and tie among the other delegates who recognize him. He feels bitterly sorry not to know the names of anyone yet, especially of the kind companion who declares him boundless affection as soon as he sees him. Extremely surprisingly, he feels so abandoned by others, the material world and the universe. He therefore goes to his room along a corridor where he hears a father - again one of his friends whose name he searches in vain - who tells his children that these water games from which they come with the family has it. deprived of dry clothes. Here is our even more disturbed hero. Arrived at his room, he feels stiff, no longer knowing how to dress for his performance which, since he was declared a more than appreciable sympathy, should consolidate him in the chance he has to be loved and , why not, admired. On a chest of drawers, the father's credit and identity cards have been placed. He can therefore find the identity of this father too eager to play in the water with his children, and give him his cards. But time passes and here is our worried hero. If he could at least find the energy to put one foot in front of the other, and look in his luggage at what he took to look good at the panel ... Horror: he left everything at home!

 

 

 

 

Topic 7190724

 

DH//724 Re://T7190 [ Szop/Grey/WooH/Spor - Proposition] post. 21-04-05 08:21:10

 

Danger called Ken - Interview - PROPOSITION

 

Mike Enderson

In an interview, Siminiakowski said that he felt nothing of the emotions that the script attributes to him in order to leave himself as available as possible to identify the spectator. If you had been asked the question, what would you have answered?

 

Dave Simon

I would probably try to keep the same opening. I would fully assume my job because it is characteristic of the series to want to demonstrate to us the force of attraction of Ken opposing his coolness to the open mouth of threatening electric machines. I believe that the greatest quality of the actor who has to embody this role is his calm: it is there that he draws the full satisfaction of his truth.

 

Mart Sei

The real serious man-to-man fight is only between regular dominant long in the session of mental exhaustion and it is like starting with the settings, which we settle quietly by chatting about our capacities, mutually.

 

Jack Fordave

Well, I can admit such a practice too that for dominant men is unlikely as you will always find a guy stronger than you who is able to kneel on the ground and dominate you. It is in this direction that the last episode of the season was going.

 

Mart Sei

With just my senses and my brain working, you look the same depending on whether you look regular and how willing you are to learn, and to put into action yourself, even casually, participation, of a Parsifal at home.

 

Jack Fordave

Look, I'm my own master - when I decide I'm in domination mode, nothing stands up to my will. I'm looking for someone strong enough to measure me.

 

Mart Sei

The true reconstruction of your opera is only achieved through true dominant skill and with the right tool, the right instruments and experience: there is no limit to the scaffolding of the mind, no limit, no at all.

 

Jack Fordave

Be yourself and I can satisfy any of your tastes without worrying about what I'm up to for my own music lover's enjoyment.

 

Mart Sei

It tempts me to try the experience, to highlight it to the ears and to the co-impregnation of the reading universe. It is a serious work but designed for ordinary people, at the very beginning it is a juggling act to distract the crowd coming to shop in a busy district of the middle ages. Real serious scenes, you play at work, and the episodes torture you with real serious edging with full control of your emotions. You develop an extreme strength of trust in endurance mutually or as a team, and the mystical peroration and the furious culmination of the wildest is what we will have deserved for a sound management of a story that should reach everyone right to the heart.

 

Jack Fordave

Well my friend this sounds very deep and I will take note of your type of proposal in case I travel to your city to test your endurance.

 

Mart Sei

Well, two music lovers in this case made opera and ballet scenes for each other without any limit or word of safety. If that happened, it would cost us one ordeal at a time to get closer, step by step, hour by hour, to a real questioning of the fundamental question of who we are and what Grail will feed our quest. No anticipation, only to let the impulses dictated by the music of the great master come to you. No apprehension either about the feasibility of our bet: by adding scenes to each other, there is no way out. Both of us first work in the grace of getting to know each other better, as if we had to take our medieval effigies by installing them in a personalized ball vise crusher, it is the end result that matters to us. Whether or not no one will take their eyes off us, all of us as much as we want must get into the danger zone where extreme racing is both on its knees and in a position of mystical ecstasy. What do you think?

 

 

 

 

Topic 7190726

 

DH//726 Re://T7190 [ Moon/Nitr/Brye/Yuko/Stef - Dresde] post. 21-04-17 16:46:40

 

DRESDEN AMEN - AMEN DE DRESDE

 

Martin Simonneau

In the first episode of the series, we see Robert getting bored in front of his computer playing his solitaire games, the Eight Off is his favorite. whose each sequence he succeeds with a flair that triggers a round of applause which he sometimes listens to the end of, or which he shortens with a swipe of the mouse before embarking on a new sequence. At first, he loved playing against the clock and feeling the cheers as real, but it's been a long time since. For at least six years that he has been playing his 100 daily games, having stopped accumulating his points, several years already he has no longer felt the slightest satisfaction when he succeeded. He succeeds in all of them. On the contrary, it is a ringing that brings a slight dose of anguish that he picks up in his brain when he mentally says to himself: "One more last, and we move on."

Then he moves on. Prepare your supper. He starts the oven, goes back to do half a dozen games, this time justified by waiting for a signal - a very concrete ringing - to remind him of cooking a frozen veal parmigiana. Or a carbonara, or Swedish meatballs. It is only when his friend Gurnemanz comes to see him that Robert takes the trouble to prepare a real meal, more complete, with a starter, and a dessert that he makes himself, he makes his puff pastry, he uses apples or cherries that come from the trees in the courtyard, Gurnemanz loves these homemade desserts, the taste of which is not found in any restaurant, nor in any pie bought in stores.

The dialogue between the two friends shows us a caring Robert and a very down to earth Gurnemanz. The first is rather thin and aging, the other, noticeably younger, let's say in his forties with a little overweight, pale Germanic complexion, a faded smile, a scowl. Sometimes he wears his glasses, sometimes he doesn't.

 

Stef Lambert

And I guess he's going to wear them to read the Dresden Amen announced in the title of this first chapter. I am a little confused. I am told a domestic Parsifal, I already have the impression that I am attending his funeral. I would change the subject. Notice that the intention is laudable. But as a recording by Bayreuth I heard just yesterday pointed out to me, I wonder how to translate by a contemporary arrow a machine as hieratic as these solitaries in search of the opposition of the new and the old.

 

Chuck Rivest

I share your reservations, my dear Stef. I also think that this sacred quest stirs in us distant ashes with all that "distant" contains that is repulsive and uncomfortable. I put myself in the shoes of someone who does not know Wagner or the songs of gestures, and who would turn the pages of a story that wants to be contemporary which keeps the first names of the legend intact. Already he feels diminished by his ignorance, which the book identifies with him as an image that he does not need to be given of him.

 

Marcus Prégent

And think also of poor Kundry who, even though she is not dusted off from the legend, today cannot bring out a primitive and bestial side which would excuse her for being who she is to become, in the third act, the mute who repents of a bad experience on Mount Golgotha by saying that they no longer want to be, if not only to serve, to serve. This will not seek the approval of the women's press. For which this simple reflection risks passing for an unforgivable blunder.

 

Bryer Schmegelsky

Do you have your answer to the lack of success the uninhabited people have had with women? Jean-Thomas would naturally reply that this is normal, because you living people no longer have the right to write through them, and even less about them. Let’s leave this topic. It will be seen as a form of harassment in which we especially do not want to get involved as it is not our intention to present Kundry as a housekeeper. Is it the death of writing? I tell myself that this one should survive everything, but question of time, will you see this resurrection? You wanted to live at all costs, see what that gives.