Topic 7190718
DH//718 Re://T7190 [Grey/WooH/Szop - Bolero] post. 21-03-18 17:56:09
© photo - Flickr - Dave Simon - Pan de la déesse - assemblage No 18 - Inimitiés de la Sybille.
Danger called Ken - Episode 8 - BOLERO
718 Re://T7190 [Grey/WooH/Szop - Bolero] post. 21-03-18 17:56:09
A lady from the old days finally arrives in Montreal, black coat, winter, rue Alexandre-de-Sèves, in a house much older than those that make up the neighborhood. She is accompanied by a young, very Brittish student, the same one who forgot his bow at his exam at the Royal Conservatory of Music in the nineties.
Dominique Lasnier is at the piano, inspired as much as if he were to accompany all Porgy and Bess while a certain Fannie, or Pennie, sings Summertime. Half a dozen other friends are in the living room. I take the coats. The atmosphere is sustained and regal. I pointed out that a hundred people would be around Dominique to distract him from his piano which he would not move; he turns around, elegant, a Japanese smile like Bae Dong himself would have done, and bows to my important lady.
Angelo Tabet, holed up somewhere in one of the rooms in the corridor, appears, and tells me, on his departure, that he is very lucky not to have to endure such a ceremony. He told me twice. The second time around, he has bloodshot eyes and gums. He goes to say hello to my brother (or someone) and leaves, announcing, with that familiar air of elegance, that he doesn't want to miss the eighth episode of the series. Episode that I had recorded and which, my faith, plunged me back into the same atmosphere in which the evening took place.
718 Re://T7190 [Grey/WooH/Szop - Bolero] post. 21-03-18 18:05:27
I liked this sequence of almost half an hour where the characters apprehend each other in all kinds of convolutions, another episode masterfully conducted. The fact that this scene takes place mainly on a soundtrack of music by Ravel was not innocent in my opinion.
A funny fact also happened to me:
The Carpentier-Morrissets, owners of the building next door, fraternize with me and Goro Azuake or my friend Philémon the Painter, or whatever. He, Jérôme Carpentier, jokes about my Pluto encounters in the courtyard. I retort, jokingly, that "it" allows itself to spy on us in the neighborhood, through the bars of the fence. A long, low-voice conversation ensued between the couple and my friend. Following this, Madame Morrisset holds out her hand to me that we will remain good friends, but that she prefers to keep her distance and that she will refrain from coming to see Les Inimitiés de la Sybille. (I feel ashamed, but lucky that I haven't booked tickets in their name yet.) Left alone with my confidant, I urge him to repeat what they said without my knowledge. Evasive answer. I then give him the history of my relationship with them since 2014, and conclude that this is what they were talking about since Philmon knows all about it!
718 Re://T7190 [Grey/WooH/Szop - Bolero] post. 21-03-18 18:28:18
I no longer exist in one, but in two series! Bravo to Petrolucci for these mathematically flawless angles through the reflections of the threatening tank! It interested me too dance music but that it is such a ceremonial affair perhaps suggested a little something to me that annoyed me, in any case, if I say that it is to add my hint of ingredient because I believe this more relaxing episode got me thinking about the need for those tender moments between the characters who, after all, are still fearful and struggling for survival.
Topic 7190719
DH//719 Re://T7190 [Sprt/WooH/JanLin - Mutations] post. 21-03-19 16:06:01
Danger called Ken - Episode 9 - MUTATIONS LANGAGIÈRES
Having accompanied several writers in science recovery workshops for series, I want to bring my enthusiastic voice to the work that Danger's team called Ken has been involved in. In addition to possessing a very great literary sensitivity, Petrolucci is an artist in all respects, mastering the artistic disciplines related to his work as a writer (music, visual arts) with the accuracy that his Sequences for adults who are not cold to the eyes require. He alone can lead this enterprise in my opinion necessary for a wider dissemination of his work. This work goes to the heart of the concerns of art. It is part of a dynamic movement of contemporary thought, without falling into a disembodied philosophy since it endorses, from the poetry of the trajectory of the character of Ken Latimer, central figure of a fascinating television fresco, the universal scope of our aspirations in a world incessantly threatened by an increasingly reductive technology of artistic and creative thought.
Some of my friends are of the French religion and they fear that their language will be unrecognizable when the men are all dead of spite. Women are feminizing all the words to adapt them to their sex and soon justice will have to seize a vocabulary that knows no jurisprudence. This risks plunging the population into chaos, all the more so as more and more often they will be banned, then banned from the language, words designating the color of the skin and nationalities in general. Watch out if you use the word "nigger" instead of saying this man belongs to a group whose word begins with the letter N. One of my friends who comes from Gaspésie asks me if we will still have the right to designate her as a Gaspésienne or whether it must be said that she belongs to a group defined by a word that begins with G. An Italian at the Jean-Talon market in the north of Montreal wonders: if I say that I come from a country that starts with the letter I, is there no risk of confusion with my other friend who is Icelandic?
If the plural of mouse is mice then wouldn't it be appropriate to say that the plural of spouse is spice? So my wife should be happy, she who offers us a culinary variety always well matched with the dishes of her country that begins with I - or h, but I will stop here for fear that the whole affair will turn into a debate where the consequences could be dire.
Topic 7190720
DH//720 Re://T7190 [Aste/Cadm - Peuplades] post. 21-03-30 17:40:00
Danger called Ken - Episode 10 - PEUPLADES (PRIMITIVE PEOPLES)
I was anticipating this moment, waiting to find myself without warning in front of Chinese peoples. An invitation to temporary reduction, since no longer having the right to use this people for ambiguous purposes, the director promises an intrusion into the potential anonymity of this aggressive cenacle of individuals, who pose as objects magnetic of our sleeping consciousness.
How is a poor man sad? Response by becoming ill. How is it minimized as a people who aim to dominate the visible and invisible universe? Response by delegating its presence to the most anonymous of them. Also, how far can this erosion of our planet go so that their playing field is leveled and enlarged? This is what this tenth episode of Danger called Ken suggests to us. A fascinating game of glances that takes place on the edge, on the extreme narrow and dangerously slippery edge of our mistrust. At a time when everyone is asleep, a few are precariously balanced on this echo of dreams.
Topic 7190721
DH//721 Re://T7190 [JJJO/Isla - Barricades] post. 21-04-02 12:10:13
Danger called Ken - Episode 11 - BARRICADES MYSTÉRIEUSES (MYSTERIOUS BARRICADES)
Here! An extra who attacked me at the inconceivable height of my irritations. Well would you believe in this miracle? This sly and shameless-looking extra appeared to me this evening and very immediately aroused my compassion. I wonder what he wants me to buy into in its complexity. Is he teaching me a lesson in self-metamorphosis?
Haha! A self-metamorphosis! The call of the peoples of yesterday brought me back to a non-customary wisdom after the exercise of the analysis of a series. Maybe that's what happens to us. And I'm still discovering something: when the pendulum of emotions gets involved, sometimes what is realistic for you becomes strange for me. This is what I just received:
"Hello dear friend, I am writing to tell you that I watched with great pleasure the eleventh episode of Danger called Ken. ((Astonishing coincidence: the fiction of the great and the bad despot and the image of this type of relation which I used, when I described the text which I need for the submission of my own script in the tribes Orient. I realized this late.) I can confirm that there is indeed genius among those entitled to this Good Friday trill. Ghosts are more evanescent than timeless swimmers in waters The degraded faces of these characters show that imaginaries meet in this form of barricades, during this eleventh episode, aptly called: mysterious barricades. I really liked the way the directing seamlessly moves from dialogue to storytelling, character to character perspective, from one aspect of the story to concrete action. This adds to the strangeness of this merciless fight and what it results ... The story kept me going and I found it touching at times."
The mega-concert, phew! And what about Van himself! He arrives by conquering in a closed space (as an anteroom) where he does not know anyone. To see him snort like a horse, still sweating from an expedition which has led him to deep water shores bounded by the strike at shallow tides, then to launch out for internal victory with a view of course to monopolize you Koios, VanEchter and all the others who are there in the most normative of tranquility. Phew, what a deal! Who will he take?